‘Bonjour, Paris!’: Maybe that’s why the French hate us
Did you know, if you Google ‘why do we romanticise Paris?’, that the most common...
Film Production
AI TRANSFORMATION IN FILMMAKING AND MEDIA INDUSTRIES
Artificial intelligence (AI) is revolutionizing various industries, and filmmaking is no exception. By integrating AI...
Anatomy of The Short
The majority of short films I’ve seen I’ve found to be quite distant; they can...
Contemporary Silent Films
John Krasinksi’s aptly named The Quiet Place has been described as ‘a silent film’ by...
Corridors of (In)sanity. The foundational importance of corridors within larger fictional locations.
“Corridors make science fiction believable, because they’re so utilitarian by nature – really they’re just...
Direct Action: Christmas Content for an Isolated Audience
I lie there, in my 3 day old pyjamas and cup of long forgotten cold...
Fellini’s 8 ½: the dream of Film looking in the mirror
Guido Anselmi, the main character in 8½, has often been described as Fellini’s alter-ego. The...
Fifty Years of Bond Girls and The Male Gaze
Widely celebrated as the saviour of German Cinema, the German New Wave ponders division, rhetoric...
Film Review: The Lighthouse
Every aspect of Robert Eggers and Jarin Blaschke’s surrealist work ‘The Lighthouse’ pushes limits. From...
Good Grief: the beguiling beauty of Petite Maman
Ah, grief. A thing that plagues us all in one way or another, and incidentally,...
