Film and Art Galleries: A Match Made in Heaven?
Not just over half a century ago, you could have walked into an art gallery...
Gillian Wearing, Marlene Dumas and Relational Art in the 1990s
Nowadays contemporary art works are often created through in-depth processes of appropriating found imagery. In...
Lawrence Abu Hamdan: Triptych of the ethical aesthetics
Finalizing the modernist call between art and life, L. Abu Hamdan is both an artist...
Learning to Look: Visual Art in the 21st Century
‘What is that even supposed to be?’ mutters a little boy as he surveys the...
Presence and absence in James Coleman’s Lapsus Exposure
James Coleman is one of Ireland’s greatest artists. He has achieved international acclaim, having exhibited...
Should there be a Windrush Monument and what should it look like?
June 22nd is Windrush Day, a date that celebrates the contributions of Afro-Caribbean migrants to...
Virtual online galleries: the aftermath of Covid19
Unless you have been under a rock for the past few months, you may have...
Visual Art in the 21st Century
There are myriad ideas that could be explored under the heading ‘Visual art in the...
Why the Tate IK Prize 2016 speaks of aesthetic beauty and current affairs
Last year, the winning project of the IK Prize, ‘Tate Sensorium’, was all about synaesthesia i.e....
