Blog
Explore behind-the-scenes stories, creative insights, and industry tips from the world of video production, filmmaking, and visual storytelling.
Fifty Years of Bond Girls and The Male Gaze
Widely celebrated as the saviour of German Cinema, the German New Wave ponders division, rhetoric...
Where to Begin: Kaneto Shindô and Onibaba
Widely celebrated as the saviour of German Cinema, the German New Wave ponders division, rhetoric...
Papa’s Kino Ist Tot: Reflections on Divide and Loss by the German New Wave
Widely celebrated as the saviour of German Cinema, the German New Wave ponders division, rhetoric...
Lights, iPhone, Action: How smartphone cinematography is democratising filmmaking
On December 4th, the winner of 2018’s Turner Prize was announced. The annual art prize,...
The Man Who Killed Don Quixote: a tone-deaf exercise in narcissism
The BFI film festival played host to the UK’s first showing of Terry Gilliam’s, (25...
Female protagonists do not a feminist film make: how Lars von Trier let slip his misogyny
In the recent revelations regarding harassment and abuse in the Western film industry, there are...
Leading Lady Parts: Stop giving all the roles to White men
If you have 10 minutes and want to be quietly infuriated by the extreme lack...
‘Bonjour, Paris!’: Maybe that’s why the French hate us
Did you know, if you Google ‘why do we romanticise Paris?’, that the most common...
The Staircase: our obsession with True Crime
Making a Murderer, Evil Genius, Casting Jon Benet, and now The Staircase – why do...
The Proof is in the Promised Land
I have a friend from Canvey Island, who once convinced me that Dame Judi Dench...
