The Man Who Killed Don Quixote: a tone-deaf exercise in narcissism
The BFI film festival played host to the UK’s first showing of Terry Gilliam’s, (25 years’ late) pet project, The Man Who Killed Don Quixote. The red carpet was rolled out, paparazzi took their place, and fans waited anxiously about the garden; the sycophantic narcissism was getting more meta by the second. Gilliam [...]